The same prompt — existentialist language, intentionally fragmented grammar — was fed into text-to-image systems thousands of times across platforms. The goal was to force hallucination: errors, glitches, images that shouldn't exist. Results were curated, assembled in Photoshop, and screen printed. Oil paint was applied, then the work was photographed and edited digitally. The cycle repeated between physical and digital until the two were indistinguishable.