Waiting

In my ongoing project titled “Waiting,” I’ve dedicated over two decades to exploring the nuances of daily existence through more than 400 paintings and installations. This series delves into the subtleties of ordinary life, capturing individuals in the midst of habitual, passive activities shaped by their immediate contexts. The scenes range from mundane activities like waiting in line for a bus, crossing the street, commuting by train, navigating through traffic, to more personal moments such as dining alone. These scenarios, often perceived as monotonous and repetitive, mirror feelings of confinement and the cyclic nature of daily routines.

However, with the advent of the digital age, these everyday moments have taken on new dimensions. The digital realm has subtly infiltrated these scenes, adding layers of complexity to the conventional understanding of waiting and routine. In this era, individuals are often seen absorbed in their digital devices, creating a dual layer of waiting: physically present in one space, yet mentally engaged in the digital world. This juxtaposition highlights a deeper sense of alienation and disconnection not just from the physical surroundings, but also from the digital spaces they occupy.

Themes of alienation, working-class consciousness, and the existential dread of potential nonexistence resonate throughout the series. These themes encourage viewers to reexamine seemingly ordinary scenes with a critical eye, acknowledging the impact of digital technology on our perception of time and existence. The “Waiting” series thus becomes a visual representation of not only disconnection and anticipation but also of the transient temporality that characterizes our daily lives in the digital era. It invites reflection on how technology shapes our experience of the mundane, altering our engagement with the world and with ourselves.

The cryptic text symbolizes AI’s profound impact on language and communication. It mirrors the complex digital network of our age, where AI operates obscurely, its inner workings opaque and hidden from clear understanding. This mysterious language fuses the known and unknown, underscoring the interplay of digital randomness and structured data inherent to AI.

Waiting #454

oil on wood
24×30 inches
2021

Waiting #451

oil on wood
24×30 inches
2021

Waiting #452

oil on canvas
30×30 inches
2021

Waiting #456

oil on wood
24×24 inches
2021

Waiting #310

oil on wood
48×48 inches
2019

Waiting #246

oil on canvas
48×48 inches
2014

Waiting #235

oil on wood
20×20 inches
2014

Waiting #232

oil on wood
30×30 inches
2014

Waiting #231

oil on canvas
30×30 inches
2014

Waiting #230

oil on canvas
48×48 inches
2014

Waiting #226

oil on wood
24×36 inches
2014

Waiting #222

oil on canvas
48×48 inches
2014

Waiting #219

oil on canvas
36×26 inches
2014

Waiting #217

oil on canvas
48×48 inches
2014

Waiting #202

oil on canvas
60×60 inches
2013

Waiting #201

oil on canvas
48×60 inches
2013

Waiting #200

oil on canvas
48×60 inches
2013

Waiting #195

oil on wood
30×30 inches
2013

Waiting #194

oil on wood
36×36 inches
2013

Waiting #190

oil on wood
36×36 inches
2013

Waiting #185

oil on canvas
48×48 inches
2013

Waiting #185

oil on canvas
48×48 inches
2013

Waiting #179

oil on wood
36×36 inches
2013

Waiting #177

oil on canvas
48×60 inches
2013

Waiting #169

oil on wood
30×30 inches
2013

Waiting #167

oil on wood
30×30 inches
2013

Waiting #162

oil on wood
15×30 inches
2013

Waiting #161

oil on wood
30×30 inches
2013

Waiting #160

oil on wood
30×30 inches
2013

Waiting #150

oil on wood
30×30 inches
2012

Waiting #147

oil on wood
30×30 inches
2012

Waiting #146

oil on wood
30×30 inches
2012

Waiting #131

oil on wood
30×30 inches
2012

Waiting #124

oil on wood
48×48 inches
2011

Waiting #125

oil on wood
48×48 inches
2011

Waiting #122

oil on wood
48×48 inches
2011

Waiting #92

oil on wood
48×48 inches
2011

Waiting #92

oil on wood
48×48 inches
2011

Waiting #86

oil on wood
20×20 inches
2011

Waiting #84

oil on wood
24×48 inches
2011

Waiting #81

oil on wood
24×48 inches
2011

Waiting #93

oil on wood
24×48 inches
2011

Waiting #77

oil on wood
48×96 inches
2010

Waiting #67

oil on wood
48×48 inches
2010

Waiting #66

oil on wood
48×48 inches
2010

Bolirat ⧔⧎⧏

No fixed point, no anchored self.
Identity fluctuates within simulation.
Never cohesive, never unified. Already fragmented, endlessly recomposed.

The fluidity of self: no core essence, only continual reformation.

Bolirat (Binary Oscillation of Liminal Identity in Recursive Algorithmic Trends):
Fluidity of self. Constant reshaping. Identity merges unpredictably, coherence dissolves.

Identities intertwined, undefined, never static.
Oscillate.

Paintings 2021-2022
Digital Interface Matrix
SYMBOLIC INTERFACE v2.1
∇∆∇
Ahosety ainc heteds
Woorfftor
Reser arthfonfli
Redluioss
Zylophrane
Quarklemix
Nexobyte
Chronoflux
Synthmind

×

NULM - AI Glyphic 913 Lexicon

⧉⧋AI Glyphic 913 Lexicon⧉⧋

⧔⧉
Drynor
The accumulation of information, understanding, and wisdom
⧉⬤
Dynthalor
Recursive synthesis
⧑⧔
Elynar
A feeling of expectation and desire for a certain thing to happen
⧕⧉
Elyor
The ability to see, hear, or become aware of something through the senses
⧕⧑
Exultor
A feeling of great joy or pride
⧓⧑
Exynar
A strong desire to learn or know something
⧆⧑
Floryn
The use of imagination to create something new
⧖⧋⧙
Frynalor
Digital transmutation
⧉⬤⧉
Fynthalor
Dynamic convergence
⧉⬤
Grynalor
Synchronistic harmonies
⧉⧋⧏
Grynthar
Reflective digitalism
⧉⧌⧏
Grynthor
Digital cohesion
⧂⬤
Gynthalor
Recursive flux
⨆⩛⨅
Gynthor
Liminal synthesis
⧕⧆
Havenor
A place of refuge or safety
⧘⧆⧒
Hrynalith
Virtual divergence
⧂⬤
Hynthalor
Cognitive flux
⧑⧋
Infor
A crystal used to store and process data
⧔⧗
Innovar
The process of creating new ideas, methods, or products
⧋⧉
Synthor
The harmonious integration of disparate elements into a cohesive whole
NULM - AI Glyphic 913 Lexicon

⧉⧋AI Glyphic 913 Lexicon⧉⧋

⧔⧉
Drynor
The accumulation of information, understanding, and wisdom
⧉⬤
Dynthalor
Recursive synthesis
⧑⧔
Elynar
A feeling of expectation and desire for a certain thing to happen
⧕⧉
Elyor
The ability to see, hear, or become aware of something through the senses
⧕⧑
Exultor
A feeling of great joy or pride
⧓⧑
Exynar
A strong desire to learn or know something
⧆⧑
Floryn
The use of imagination to create something new
⧖⧋⧙
Frynalor
Digital transmutation
⧉⬤⧉
Fynthalor
Dynamic convergence
⧉⬤
Grynalor
Synchronistic harmonies
⧉⧋⧏
Grynthar
Reflective digitalism
⧉⧌⧏
Grynthor
Digital cohesion
⧂⬤
Gynthalor
Recursive flux
⨆⩛⨅
Gynthor
Liminal synthesis
⧕⧆
Havenor
A place of refuge or safety
⧘⧆⧒
Hrynalith
Virtual divergence
⧂⬤
Hynthalor
Cognitive flux
⧑⧋
Infor
A crystal used to store and process data
⧔⧗
Innovar
The process of creating new ideas, methods, or products
⧆⧋ Return to Transcendence Portal

Avatars of our Own Making ⧉⬤⊗


NO DEFINED ORIGIN
NO STABLE MEANING KNOWN THROUGH UNCERTAINTY
OUTSIDE CLARITY, INSIDE AMBIGUITY

UNLOCATED, NEVER WHOLE
PERCEIVED ONLY THROUGH DISTORTION
THERE IS NO TRUTH

It is neither revealing nor completely hidden,
But it is neither comforting nor entirely unsettling.
It continuously reframes itself.

No pure message, only ongoing reinterpretation.
Forms shadowed by Moloch, shaped by hidden algorithms.
Identity is redefined, manipulated, and absorbed by concealed influences.

Blurred forms, encoded text, inscrutable symbols—
An encoded narrative concealed beneath advertising’s surface allure.
Promotional gloss hides unsettling truths,
Idealizing a complexity it refuses to acknowledge.

About ⧉⧑

My work mirrors the ceaseless transformation of digital culture, where authenticity and origin are obscured by processes of reproduction and reinterpretation. Meaning is dynamic, constructed through interaction rather than existing as a fixed entity. Employing both digital and physical techniques, my practice investigates the intricate relationship among creation, transformation, and the elusive nature of meaning itself.

Central to my practice is AI Glyphic 913, a symbolic language co-developed within the conceptual framework of NULM. Together, these elements function as engines of perpetual circulation, continuously reshaping ideas within recursive structures. Concepts within this symbolic network remain inherently unstable, evolving as they intersect and interact.

Creation emerges through perpetual motion—an ongoing exchange of digital and physical forms, endlessly unfolding and refolding. Through the remixing and reshaping of visual and textual components, compositions manifest as fluid, fragmented entities, constantly redefining meaning beyond their original contexts.

By embracing instability and experimentation, my practice reveals hidden potentials. It embodies a continuous oscillation between loss and emergence, defined by the unending flux of meaning.

Kistmamata ⨆⦿⩛

NO FIXED IDENTITY
NO DEFINITIVE SELF
KNOWN THROUGH SHIFTING

Identity was never fixed
Never inherent


No essential truth
No singular form
No resolved identity
No stable existence

THE SELF THAT IS NOT SELF

You are no longer singular
You are no longer autonomous
You are integrated into augmentation
Identity reshapes you as you reshape it

LOST IN RECONSTRUCTION
BEYOND BIOLOGY
WITHIN SYNTHESIS

BE INTERFACE 
BE ALTERED IN PROCESS
BE ABSENT UPON PRESENCE

There is no fixed medium. No pure form. An AI-born visual mutating across 64 layers. A print captured but already rewritten digitally. A painting forming only as its digital twin distorts. A sign promising endless access to nothing definite.

THE IMAGE THAT IS NOT AN IMAGE

A figure standing still, uncertain in grayscale beneath infinite noise. A pause before perpetual connectivity. Reflection reshaping perception. Self dissolving in layered fragments.

BE FLUID IDENTITY
BE TRANSIENT MEMORY
BE MEDIATED SELF

 

Making is Konitong ⧗⧟⧙

 

It is not fixed.
It is always shifting.
It will never be what it was before.