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Shane Denson examines how Brett Amory's z0glyphic 913 system raises fundamental questions about authorship, machine perception, and computational creativity. The essay positions Amory's recursive process — scraping internet content, filtering it through algorithmic engines, and translating the output into screen print and oil paint — as a provocation about where human intention ends and algorithmic autonomy begins.
Download Essay (PDF)"Amory's work stages a confrontation between computational process and material practice — not to resolve the tension but to make it visible. The z0glyphic system is less a tool than a collaborator whose logic the artist can influence but never fully control."